READER REPLIES: Does mood affect music?

Here is where you, our readers, can comment on matters of mutual interest. A1: The question is incorrectly phrased: mood does not affect the music which are sounds reproduced by your stereo system which will register on sound analyzing devices the same regardless of you mood (barring you going into a rage and destroying things, […]

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READER REPLIES: Creating a soundstage in a small room

Here is where you, our readers, can comment on matters of mutual interest. A1: I managed to get a magnificent 3D soundstage, along with pinpoint imaging, from a pair of properly set-up Harbeth – ‘HL Compact’ (now 7ES-3 XD) loudspeakers many years ago in a smallish room. There are certain models within some loudspeaker brands […]

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READER REPLIES: Does an Audiophile system sound worse of bad recordings?

Here is where you, our readers, can comment on matters of mutual interest. A1: My favorite group is a folk/jazz group from the 70s, Pentangle and it turned out to be my first lesson in how badly mastering can foul up a wonderful recording. The Pentangle was the 1st non-classical recording reviewed by Gordon Holt […]

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READER REPLIES: USB reclockers

Here is where you, our readers, can comment on matters of mutual interest. A1: I use 2 old Monarchy anti jitter boxes between a Cambridge CD drive and a GeorgeMark Audio line stage/DAC(MSB board inside. and I definitely hear improvement with the reclocking. The second box is noticeable but certainly less than a single Monarchy. […]

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READER REPLIES: Best way to compensate for hearing loss

Here is where you, our readers, can comment on matters of mutual interest. A1:The theory behind “stereo” requires 100% symmetrical conditions, meaning identical parameters for each loudspeaker and each channel in the chain. But are always both ears identical? I doubt! It is proven that real heads/faces never show 100% symmetry, pinnae have a different […]

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READER REPLIES: How recordings have changed over the years

Here is where you, our readers, can comment on matters of mutual interest. A1: I think the major change in recording technology was the step from one-point-recordings to all kind of mic-arrays and closely miking enhanced by mics capturing the room reverbs. Mixing all together results in strange phase effects and requires an additional artist: […]

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