ALPHASON: Titanium tubed arms – HR100S or a Xenon?

I’d always fancied one of Alphason’s titanium tubed arms like the HR100S or a Xenon. The HR100S tends to be quite expensive (too much for a punt anyway) and I can’t say I’ve ever really heard one at its best as they mostly tend to have been wired with the horrible vdH cable throughout. A […]

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Quill

SYRINX: Their PU2 – revisited

Zstereo write: The tale begins at the end of the nineteen seventies, with the arrival of Linn’s Ittok LVII tonearm. It put the cat amongst the pigeons in an analogue landscape dominated by the SME 3009S2, which appeared on virtually every turntable motor unit at the time. There was also the Grace G707, which had been Linn’s tube […]

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AUDIO NOTE: Their tonearms. Opinions differ, but not by much. 71 replies + 3,887 views

Greetings from the UK. Here’s a thread – from a while back – that some members here might find contains interesting observations, advice and, perhaps, more. In my view, certainly worth dipping in and out of if even if you have only a few minutes to spare. Neil / editor =================== Does anyone know how […]

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ORIGIN LIVE: Encounter on a Linn LP12 (updated in the light of a conversation with Mark Baker)

 From the archives I received an email  from Mark Baker (Origin Live) expressing disappointment re my observations re his entry level arm’s performance on a Linn LP12 as shown below. I phoned him, out of courtesy, to discuss this with him. I envisaged a bruising encounter (don’t ask!) but it turned out be cordial. As […]

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KUZMA: 4Point tonearm – test review

No one has ever accused Franc Kuzma of designing glamorous audio jewelry. His turntables and tonearms are industrial-strength examples of engineering know-how and machining excellence. But to those who appreciate such things, his products are truly beautiful, even if they’re not adorned with chrome, wood, and sleekly polished surfaces. And if looking at the 4Point […]

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