PIERRE LURNE: Design Philosophy For Turntables – a paper from Pierre Lurne Of Audiomeca

Enjoy The Music write ….. For those who are unfamiliar with his name, Pierre Lurne has been an integral part of cutting edge turntable design since the late 1960’s. Pierre designed his first arm design in 1968. He later was commissioned to do design work for a then major player in the audiophile turntable market. […]

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HELIUS DESIGNS: Magic Pebbles, an explanation of tonearm bias and …

In my first article, I wrote about those wizened beings who occasionally materialise from the ether, intent on stretching the boundaries of plausibility with their over-active imaginations. These people would have us believe that a generous sprinkling of their particular flavour of fairy dust on your hi-fi will transport it to the realms of godliness. […]

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AUDIOCRAFT TONEARMS: What happened?

Leonard Patel writes … One of those Japanese audio engineering companies that have been making quality arms mostly for the home market. The predecessors to the current 4400 and 3300 were the 4000 (12″) and 3000 (9″), while structurally similar to the current versions they are not as configurable and were of an inferior build […]

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SME M2-9R tone arm test review

Tony Bolton (HiFi World) writes:  Updating a tried and trusted product can be a risky thing to do, especially when an item has enjoyed nearly half a century of production. In the world of hi-fi, Quad have been successful with their updates of the old Quad ll amplifiers and SME have now joined this select […]

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PINK TRIANGLE / BREUER 8 Combo

Howard, Many thanks for replying to my email. Would you perchance be the renowned Howard Popeck? Well, yes. It’s me – but far from renowned though. I have a PT Anniversary/SME V/Ortofon Rohmann which I’m shortly upgrading with the aid of the Funk Firm. I may change tonearms and cartridge – I’ve read somewhere once(the […]

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SYRINX: The PU2; any good?

Zstereo write: The tale begins at the end of the nineteen seventies, with the arrival of Linn’s Ittok LVII tonearm. It put the cat amongst the pigeons in an analogue landscape dominated by the SME 3009S2, which appeared on virtually every turntable motor unit at the time. There was also the Grace G707, which had been Linn’s tube […]

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