AIR AUDIO DESIGNS: What happened?

Bryan Gourlay writes … UK based business originally founded in 2008 by Alex Fletcher (ex-Dixons buyer) and was based in the London Docklands. The company started selling iPod docking systems in late 2009 that were specified by Mr Fletcher and reflected his experience in the CE retail industry since the company only sold their products […]

Read More

HELIUS: The evolution of tonearm design and consider aspects of various designs that most influenced my approach to Helius

Geoffrey Owen – head of Helius Designs writes: In this episode I’m going to discuss the evolution of tonearm design and consider aspects of various designs that most influenced my approach to Helius. My own hi-fi journey started with the most classical of 1970’s choices – an SME 3009 mounted on a Thorens TD125 MKII […]

Read More

SWALLOW ACOUSTICS: ASL1

A question for Howard please. Back in the Subjective Audio days in Palmers Green you stocked speakers from Swallow Acoustics Limited. I know because I bought a pair and used them for many years. What happened to them please? Thanks and regards, Colin Thatcher. Hello Colin. Indeed I did sell them. We had no failures […]

Read More

HARBETH: 40.1 vs Spendor sp100r2 using 75 watt tube amps?

An ‘old’ thread but …. there are some observations still relevant today. ============= I have an older version of the Spendors—the SP-100—and I have never heard the Harbeth 40.1, so my comments are not exactly what you’re seeking. However, I wanted to say that Spendors have a reputation for being more compatible with tube amps […]

Read More

CONVERSATIONS WITH COLIN: Sources used in product development?

Hello Colin What sources and speakers does you use in development and why please? Thanks. Mike Hi Mike, Now that is a tricky question I like my old Ruark Sabres, they are old friends made for me by my old friend. I also use Spendors, and borrow others makes depending on what I am designing.I […]

Read More

FIDELITY RESEARCH: What happened?

Apparently … Made a well regarded line of arms to along with the cartridges that were their main line of business. The FR-64 series is probably the most common on the second hand market, the FR-64fx with a black anodised aluminium armtube and the FR-64s wich featured a Steel alloy tube are usually considered better […]

Read More

COUNTER-INTUITIVE: Yes … I’ll take the battered, dodgy-looking preamp please

Not my first rodeo! I’ve been the industry for a while and been taken behind the scenes of quite a few makers. The backroom people and not always males either are generally fairly approachable with only the occasional massive egos you read about. And the point of this is, err what? Many of them use […]

Read More

SPEAKER HEADROOM: Observations

Paul McGowan We’re pretty comfortable with the idea of headroom. More food on the table than needed, more horsepower than required, more amplifier wattage than necessary. But, what about speaker headroom? The one characteristic of music’s reproduction that stands out for me in speakers is a slight compression when the music gets loud. I hear it […]

Read More

NAIM: How much should I pay in the UK for a CDX2 please?

Thanks Nick. We aren’t sufficiently knowledgeable about this unit to answer this in isolation and so we asked around in the trade and canvassed some of our Naim-owning subscribers. As usual, the assumption is that you are interested in a fully working unit and that cosmetic condition is very good > excellent. Typically in 2015 […]

Read More

CHRIS CONNAKER / computeraudiophile.com : News

Laurence A. Borden writes: LB: Chris, welcome to Dagogo. Please begin by telling us about your background, and what lead you to embrace computer-based audio and to start computeraudiophile.com. Chris Connaker: I have been an audiophile for as long as I can remember. In 1982, after talking my second grade teacher Mrs. Van de Weigh […]

Read More