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PS AUDIO / Paul McGowan Peering down inside of a BHK preamp the other day, I was rewarded with the warm rosy glow of its vacuum tubes. And I was reminded how similar a vacuum tube is to a lightbulb (I know. I am weird). Both vacuum tubes and lightbulbs have glass envelopes that keep […]
I would like to upgrade the modest Akito I have on my LP12 and would like a Unipivot. Clearly, the Naim Aro is a great arm, but I am loathed to pay £1300+ on ebay for an arm that I can remember retailing at £650 new when it first came out. Two arms that have […]
Many will remember the British Leyland Motor Corporation, the nineteen seventies state owned purveyor of such automotive design masterpieces as the Morris Marina and Austin Allegro. A decade of industrial strife and dreadful quality ensured that BLMC’s dalliance with disaster was well publicised, but what many don’t know is that hi-fi had its very own […]
FYI: A thread – from a while back – that some might find contains interesting observations, advice and so on. Certainly worth dipping in and out of if you have only a few minutes to spare. Neil / editor in chief =========== This is a thread about my interest in modifying a Pink Triangle – […]
Hi guys. What can you tell me about Xhadow Corp please. I ask ‘cos I think it was involved with Chris Sommigovio who designed and/or built Stereovox interconnects which I still admire and use. Thanks. First, please note the correct spelling of the name of the joint founder. Information is sketchy. As far as we […]
An enduringly healthy phono-cartridge industry? After a quarter of a century of rushing right out to buy the latest digital music appliances? You bet. To continue reading please click HERE.
Major new ARAY technology breakthrough heralds the launch of the GroundARAY family Chord Company has announced a major new development of its proprietary ARAY noise-reduction technology with the introduction of its GroundARAY family of grounding devices. The GroundARAY is a next-generation high-frequency-noise-reduction device that connects to unused sockets on A/V equipment providing a low-impedance route for HF noise to […]
I get asked this question all the time, and perhaps one more attempt at an explanation will help. Voltage is what determines loudness. Let me explain. Let’s imagine we have a stereo power amplifier delivering 10v at its output. Now, add two loudspeakers, each with identical sensitivity (meaning that for a given voltage, they will […]
Brian Damkoroger: If high-end audio were to carve its own Mt. Rushmore, whose faces would appear there—besides that of Stereophile founder J. Gordon Holt, of course? It’s likely that no two audiophiles would ever come up with identical lists of subjects, but I wouldn’t be surprised if they could agree on at least one name: […]
PS AUDIO / Paul McGowan I think one of the very basic problems with people’s opinions on class D amps is the hierarchy of labeling – I mean, as a child if you get an “A” in school you’re pretty happy; get a “D” or an “F” and you’ll probably be having a conversation with […]
Arthur Brando replies … A company based in Gracefield, Wellington in New Zealand that manufactured mid & high end music amplifiers under the McLaren brand although its main business was acting as an OEM and contract manufacturer of electronic equipment for the communication and security industries, the stringent import regulations and high import duties in […]
Sonically I prefered this to my Linn / Ittock combo when I put a ZETA on it. Far tighter bass, more articulate, more attack, more presence and I was no longer standing oin the Linn upgrade escalator! Cheap as chips today. Watch out for degredation of the dreaded original Nextel Suede finish though!