STING: How do professional musicians characterize his bass?

Antonella Frau writes … The guy is a beast. I understand we get used to regarding a guitar or bass player as “talented” or “virtuoso” because of their shredding[1], finger tapping, fingerwork and so forth. When it comes to Sting, however, specially during his Police years, we fail to spot any of the aforementioned parameters. […]

Read More

THE CREATION: Making Time / Tony Besgrove’s pick of the day

Editor’s note: Today we welcome our friend Tony Besgrove to the team. Howard has known Tony (known, but not in the biblical sense!) for some years now and says he’s as fanatical about music as the rest of us. Fortunately, unlike the rest of us where we  share musical common denominators, Tony bring a fresh […]

Read More

MAYNARD FERGUSON A LOST IMMORTAL: Live From San Francisco (CD)

Reissue of Ferguson’s acclaimed live performance form 1983. Features original cover art. Contains new liner notes from noted Ferguson aficionado Eric Palmquist. BY 1983, MAYNARD FERGUSON HAD CONQUERED JAZZ, TELEVISION, THE POP CHARTS AND EVEN PLAYED THE CLOSING CEREMONIES OF THE 1976 OLYMPICS. His Storm release from that year brought him back to the faithful, […]

Read More

DANIEL ROSENBOOM: Fire Keeper

Fiona Orde-Shrimpton: To say Daniel Rosenboom is no ordinary jazz trumpeter, is no exaggeration. His father, David Rosenboom is currently Dean, Richard Seaver Distinguished Chair in Music at the California Institute of the Arts (and has been at CalArts since 1990), and having a first trumpet teacher in the form of Wadada Leo Smith, where […]

Read More

GERSHWIN: An intriguing investigation into the extraordinary life of his classic composition, Summertime.

One of the most covered songs in the world, it has been recorded in almost every style of music – from jazz to opera, rock to reggae, soul to samba. Its musical adaptability is breathtaking, but Summertime also resonates on a deep emotional level too. This visually and sonically engaging film explores the composition’s magical […]

Read More
Quill

DUSTY SPRINGFIELD: Come for a Dream – The U.K. Sessions 1970 – 1971 (CD)

During her 1968-1971 period with Atlantic Records in the United States, Dusty Springfield also continued to record material in England, where her Atlantic repertoire was released on Philips Records. In turn, Atlantic received rights to issue Dusty’s British recordings from the era, but chose to focus entirely on her American sessions. In fact, it wasn […]

Read More

BRYAN FERRY: Interview 28/04/22

The Roxy Music star answers your questions on his favourite Newcastle boozers, the influential mentors who shaped his thinking, and the temptation to overproduce everythingT Fifty years down the line, what does Roxy Music mean to you? Jungtheforeman A lot. Roxy Music were the first 10 years of my career, so it’s a huge part […]

Read More

FONTAINES DC: News

A Coventry woman who won a legal battle to erect a gravestone with an inscription in Irish, to honour her late mother, has described Fontaines DC’s new song inspired by the case as “a fitting end to the journey that we went on as a family”. Bernadette Martin, daughter of Margaret Keane, and her family, […]

Read More

BILL FRISELL: Big Sur – review

In 2012, the Monterey jazz festival put composer/guitarist Bill Frisell in a cabin at a remote ranch on the Big Sur coastline, and left him there to come up with his reactions to the landscape. The project – combining the guitarist’s chamber-musical 858 Quartet and … Continue reading HERE

Read More

Equal-loudness contour – explained

An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The unit of measurement for loudness levels is the phon, and is arrived at by reference to equal-loudness contours. By definition, two sine waves of differing […]

Read More