POWER LINES: The dedicated ones

Paul McGowan: If you’re serious about building a high-performance audio system you have to pay attention to the AC power. It’s a constant theme with me because power is the foundation of our systems. There aren’t many great structures standing on weak foundations. Power Plants solve many problems but they need a head start. One […]

Read More

MARANTZ / ROWLAND: Classic 9 + Rowland Coherence, hot pins on XLR connectors.

Can I use other tubes than the EL34s on the Marantz 9s? The amps themselves and the manuals are marked with those specific tubes. So I don’t know if tube rolling would create problems. If you feel it’s technically possible and advantageous, what would you recommend in connection with the Quads?  Also, a phase issue […]

Read More

PS AUDIO: Why haven’t these (switch mode power) supplies been used to better advantage?

Paul McGowan … Perhaps the single biggest reason to use a switch mode power supply (SMPS) on a power amplifier is that the output of a properly designed one is more like perfect DC than that of a conventional supply; and not just by a little bit. Conventional supplies switch back and fourth between plus […]

Read More

BENCHMARK MEDIA: Howard Popeck speaks at length to people with interesting things to say: John Siau – Benchmark Media DACs

Originally published 2014 John … in the audiophile world Benchmark Media have entered quickly and built a terrific reputation from scratch. Very impressive. However from your perspective, how do you see the differences between studio buyers and audiophile end users? The short answer is that audiophiles talk more. Audiophiles are passionate about their love for […]

Read More
AUDIO INSIDER

UNDERSTANDING: Cable damage

I often speak in terms that make a few people nervous. Take for example the notion that speaker cables damage sound quality. To me, this is a fairly obvious notion. Since cables are passive they cannot addanything, but they sure can subtract. When a conduit of sound subtracts from that which was intended to be delivered […]

Read More
AUDIO INSIDER

Maybe somebody’s up for the challenge

Following my post about cable damage, it occurs to me that there is an opportunity for an interesting experiment. We’ve all seen the techno-wizard’s proof that cables make zero difference. They routinely put a cable on the AP and under real world conditions show that what goes in comes out the other end. I am certain their […]

Read More
AUDIO INSIDER

LOOSERS: How much we’re willing to lose?

There are very few systems that are truly full range. The shortcomings of rooms and speakers often preclude simple setups from delivering all there is on a disc. Take Music Room Three at PS Audio. The spot in the room where the FR30s disappear and one finds themselves totally immersed in the music happens to […]

Read More
AUDIO INSIDER

TREES FALLING ON DEAF EARS

PS AUDIO / Paul McGowan Things happen whether we accept them or not, like the old question about trees making noise when they fall. What would happen if we framed the age-old question of measurements vs. subjectivity differently? Instead of stating what we cannot do—if you can’t measure it it doesn’t exist—why not ask—what can […]

Read More
AUDIO INSIDER

We add small high-frequency capable capacitors in parallel with slower bandwidth-limited capacitors for the same reasons we add super tweeters.

Capacitors are interesting components. They serve as frequency dividers, energy storage units, and DC blockers (among other things). I’ve written before about my experience so many years ago learning about capacitor bypassing—adding a smaller capacitor in parallel with a bigger one to improve the sound quality of an amp or preamp. Why is that better […]

Read More
AUDIO INSIDER

UNDERSTANDING: Recognizing vs. caring

PS AUDIO / Paul McGowan I have yet to meet anyone that hasn’t been able to hear the benefits of playing music on a high-end audio system like that in Music Room II. Time and again, people unaware of what high-end audio has to offer are jaw-dropping surprised at how much better a proper high-end […]

Read More

UNDERSTANDING: Power calcuations

PS AUDIO / Paul McGowan One of the most common questions I cannot answer is about matching power amps to Power Plants. It seems such an obvious question and you’d think the answer would be straight forward. But, you’d be incorrect. The problem with matching power amps to Power Plants happens because we don’t have […]

Read More

UNDERSTANDING: Getting too close

PS AUDIO / Paul McGowan One of our readers emailed me asking about proximity to his speakers. It was an interesting question. “As I move around the room I find the sweet spot to be 2 feet in front of my 8 foot separated speakers. Am I too close?” First, let me say I admire […]

Read More
AUDIO INSIDER

TREES FALLING ON DEAF EARS

PS AUDIO / Paul McGowan Things happen whether we accept them or not, like the old question about trees making noise when they fall. What would happen if we framed the age-old question of measurements vs. subjectivity differently? Instead of stating what we cannot do—if you can’t measure it it doesn’t exist—why not ask—what can […]

Read More

UNDERSTANDING: Transient considerations

PS AUDIO / Paul McGowan There are a lot of parameters audio design engineers must consider when crafting a new amplification circuit. Chief among them is the dynamic ability of a circuit to properly reproduce transients. Transient response in an audio system refers to how quickly and accurately the system responds to changes in the […]

Read More
AUDIO INSIDER

LOUDSPEAKER CONE TECHNOLOGY: Ever wonder why loudspeaker designers get so excited about woofer cone materials like Kevlar, aluminum, paper, sandwich cones of carbon fiber, and other materials?

PS AUDIO / Paul McGowan Their excitement comes from understanding the challenge of making an air piston (which is what a speaker driver is) that can start and stop in perfect synch with the instructions from your power amplifier. To accomplish that feat one would prefer a cone (the piston part) that had zero mass […]

Read More