IAIN MATTHEWS: Mercy Street

http://www.youtube.com/watch?v=9nDNvOw2re0 Viewer’s comments include: I have long been deeply moved by this atmospheric version by Iain. It’s so different from Peter Gabriel’s original, giving it a different mood and feel that is very memorable and stirring. Fans of this beautiful song will also enjoy the haunting version by the incomparable Fever Ray. Thanks for posting […]

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BRUCE SPRINGSTEEN and THE E-STREET BAND: Complete 1978 Radio Broadcasts (15CD Box Set) and the 200 tracks are listed here

15 CDs Over 200 tracks 24 page full colour booklet with rare photos and detailed liner notes The entire original KMET, WMMS, WNEW, KSAN and over twenty more, FM radio broadcasts from explosive 1978 live performances at The Roxy Theater on July 7, The Agora Ballroom on August 9, The Capitol Theater on September 19, […]

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Quill

NICK DRAKE: Tuckbox (5CD Ltd Box)

Five Leaves Left: Nick’s debut album of 1969 Bryter Layter: the second album released in 1970 Pink Moon: Nick’s final release from 1972 Made To Love Magic: the collection of Island-period recordings, out-takes, off cuts, cast-offs, orphans and the last 5 songs Nick recorded for his proposed 4th album. Originally released in 2004 to add […]

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David Murray: Complete Remastered Recordings on Black Saint and Soul Note, Volume 2 – review

David Murray was in Britain in October, and his appearance at Ronnie Scott’s highlighted both his Sonny Rollins-like power, tone and unpredictability and the casualness over group participation that can make him seem (like Rollins) a prodigiously gifted enigma who’s at his freest on his own. This seven-disc set in CAM Jazz’s Black Saint/Soul Note […]

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ABBA: Channa Vithana: “It took me 23 years to completely reclaim Abba from the garish, transvestite cabarets and failed, drunken-dancing, karaoke women”

Music continues to be within the very structure of my life. Consequently, I use it as non-background direct stimulus when I work, or equally as engrossing and positively mind-massaging pharmaceuticals when I am not. Even an atrocity like a Cliff Richard record must never be in the background – like dinner-party fodder. Dinner-party ‘classics’ sucked […]

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NOT AN OXYMORON: Can modern music be high-end?

Paul McGowan: If our definition of high-end is lifted from The Absolute Sound Magazine’s tenet: “the sound of unamplified instruments and/or voices as heard in a natural, acoustic performance space” then does it make sense that modern electronic or multitracked music can ever be considered high-end? I believe it can, but not before broadening our definition. […]

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