BENCHMARK MEDIA DAC: Into Meridian G08

Hello Howard. I have read HFA now for some months, deriving great pleasure and stimulation from it’s diverse contents… around the pursuit of the art of listening to music. Interested in recent exchange around the benchmark dac1. I currently have a meridian g08, along with a range of meridian pre power equipment of varying ages […]

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Xhadow Corp?

Hi Howard, what can you tell me about Xhadow Corp please?  Iain. Hi Iain, this is all that I have been able to find online – so far. Neil M. Company founded in 2004 by Chris Sommovigo of The Signals Collection and Stuart Marcus of Sound Connections and was based at the latter company’s headquarters […]

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NOSE HARVESTERS: ‘Launched some years ago and were very popular amongst the high-end crowd’

Paul McGowan: Noise Harvesters were launched some years ago and were very popular amongst the high-end crowd.  Many are still used today and we get continual requests to bring the product back – which we have. I thought it might be interesting to do a short little series on how the product developed – describing […]

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DIGITAL ROOM EQUALISATION: Is it a gimmick or does it have some application in domestic situations?

Neil, regarding digital room equalisation, is it a gimmick or does it have some application in domestic situations? I have heard these things in operation and I suppose that if you are prepared to spend any time experimenting and moving loudspeakers then it’s a good shortcut to a sort of middling performance. But by and […]

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AUDIO INSIDER

Hope for the future

There are many reasons why we launched Octave Records, but chief among them was to add to the small supply of high-resolution recordings as well as to help set standards of what we as the high-end audio community demand in the way of well-recorded material. To that end, I think we’re on the right track. Part of […]

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AUDIO INSIDER

Dither is the addition of randomness into low-level signals. Surprisingly, we do this to lower distortion of predictable errors.

The dictionary has several meanings to the word dither. The most common is to be indecisive. The second meaning is more related to what interests us: to add white noise. Dither is the addition of randomness into low-level signals. Surprisingly, we do this to lower distortion of predictable errors. Here’s a great example from a Photoshop […]

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AUDIO INSIDER

The 30 second rule

My dear friend, conductor Lowell Graham has what he calls his 30-second rule. “If something does not grab me in in the first 30 seconds of listening, I do not continue.  That can be of compositional value, recording, performance and is certainly the combination of all those attributes.” Now that’s pretty sound advice though at first I […]

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AUDIO INSIDER

AUDIO FAITH: Perhaps it would be easier if instead of using the term faith we choose something a little less challenging.

At first glance, it is not clear to us why an oversized power supply sounds better, or one cable sonically outperforms another. This is because not everything is obvious. It helps to take some things on faith (at least for the briefest of moments). Faith for most of us comes only with great difficulty. We […]

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AUDIO INSIDER

The bark fix

In a recent post, The Bark Syndrome, I identified a problem that is difficult to pinpoint its source. Barking voices. You’ve no doubt experienced on multiple recordings the bark of a loud voice. The signer gets going and suddenly you wince. Your face scrunches. Where in the chain does this change in quality occur? If we […]

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AUDIO INSIDER

MUD: A few days ago I wrote a blog post about impedance. It seems to have stirred more mud than cleared the waters.

Might as well go for broke. This post will focus on 4Ω vs. 8Ω speakers and varying impedances with frequency of those speakers. First a bit of a refresher. It is a misnomer to think that 4Ω speakers take more power than 8Ω speakers. They do not. Loudspeakers are rated according to their sensitivity: how […]

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AUDIO INSIDER

And even if we did manage to quantify those feelings, what would we conclude?

Here’s a good one for the measurement nerds in us all. How to quantify emotional engagement. How is it that a technically inferior technology like vinyl can often better engage us emotionally than a technologically superior format like DSD? And to make matters worse, a vinyl reproduction of a DSD master like those we have […]

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