Tim Ashley writes: Olga Peretyatko's latest album is essentially an old-fashioned recital of coloratura show-stoppers, some drawn from the mainstream operatic repertoire, though others, like Alyabyev's The Nightingale and Tosti's Il Bacio, are party pieces associated with the great divas of yesteryear. As a technician, the Russian soprano is ...........
http://www.theguardian.com/music/2014/may/08/olga-peretyatko-arabesque-review
