SYRINX: PU3 @ Audiophile Club of Athens

  Back in late 1981, Scot Strachan unveiled his Syrinx PU2 to an unsuspecting world. It was a promising design, but strongly flawed in several important areas, such as resonance characteristics, ease of use and build quality. Enter the PU3 in 1983, substantially evolved and with ultra low resonance and ease of set-up as its […]

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ELGAR: Rediscovered

Andrew Achenbach writes: Here’s another fascinating haul of historic Elgar recordings from Somm expertly compiled and restored by Lani Spahr. The 77-minute programme is launched in delectable fashion with the first-ever appearance of the composer conducting his own Op 58 Elegy with the strings of Adrian Boult’s magnificent BBC Symphony Orchestra. The April 1933 Abbey […]

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ONKYO: Their T9 tuner – calling all enthusiasts

So, I’m in the very early stages of putting together a turntable-focused system. I’m running an entry-level Technics SL-BD10 turntable that a friend from work gave me (soon to have a donated Grado green cartridge) and an 80s Technics receiver that another buddy lent me because my 4-yr old Onkyo doesn’t have a phono input, […]

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All power amplifiers share something in common: they are big valves connecting the amp’s power supply to the loudspeaker

Paul McGowan writes: All power amplifiers share something in common: they are big valves connecting the amp’s power supply to the loudspeaker.  How they do this is really all that differs between topologies in output stages: traditional amps use a variable valve that never reaches the maximum supply and class D amps use an on/off […]

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Tone benders – do they do it for you… ?

Hi Guys: Following on from the thread “Balance control – a necessary evil or just sensible” Are tone controls a necessary evil. Having recently acquired and cleaned up and old QUAD 34 preamp I have become re-acquainted with tone control and filter functionality. I regularly listen to historic recordings, older LP’s and CD transcriptions from […]

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VINYL REPLAY: Why should I pay for first pressings?

All I care about is a great sounding record. I’m just confused why people charge, and people pay for that matter, more for a record just because it’s a 1st press. Does it sound better or is it just more collectible? This same guy also charged more for a Mono version… doesn’t that not sound […]

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WE LOVE TO JUDGE

One of the readers of this daily post, Bernard, suggested I remind us of some famous words from Linn founder, Ivor Tiefenbrunn. “If you haven’t heard it, you don’t have an opinion.” Now that’s fairly direct and to the point. I don’t personally know Ivor but from what I gather he was always that way. […]

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