Common-Mode distortion – by Dave Kimber

Feedback summing point common-mode gain Introduction Negative feedback, when properly used, can significantly improve the performance of an amplifier. The emphasis must be on “properly used”, as improper use of feedback can make things worse. A common mistake is to use too little feedback, either because the open-loop amplifier has high distortion or because of […]

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We Need a New Definition of “Audiophile”

Brent Butterworth writes: Merriam-Webster’s Collegiate Dictionary, 11th Edition defines audiophile as “a person who is enthusiastic about high-fidelity sound reproduction.” The word first appeared in print in 1951, in an era in which audio gear bore little resemblance to what we use today. Since then, the working definition of audiophile also seems to have changed. […]

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PS AUDIO: Tuning out problems

Paul McGowan …… If you had a chance to read yesterday’s post you’ll remember we’re in the process of setting up Music Room number Two, where we have a pair of floor standing 2-way Thiel loudspeakers.  That room is considerably smaller than Music Room One, measuring 12 x 15 feet, compared to Music Room One’s […]

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TELARC: Jack Renner interviewed

Jonathan Scull (Stereophile magazine):  Kathleen (K-10) and I first met Jack Renner—Telarc’s Chairman, CEO, and Chief Recording Engineer—at Iridium, a tony jazz club here in New York. He was recording Benny Golson and the Jazz Messengers doing a rousing a tribute to Art Blakey. Now what would you think a guy who’s won 31 Grammys […]

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DECISIONS: Tough ones!

Paul McGowan writes …… My son Scott loves music; perhaps more than I.  He’s willing to listen even if the recording is awful and is able to turn off the rejection mechanism so ingrained in my head as an Audiophile.  Part of me wishes I was just as able to be that selective – because […]

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HORNS: Why not?

  I’ve owned a lot of speakers over the years but I have never experienced anything like the midrange reproduction from my horns. With a frequency response of 300 Hz. up to 14 Khz. from a single distortionless driver, it seems like a no-brainer that everyone would want this performance. Why don’t you use horns? […]

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JIM ANDERSON: The Educated Ear

Robert Baird writes: Tune those young ears, Mr. Anderson! After a 30-year career in audio engineering that’s seen his name appear in the credits of over 1700 albums, Jim Anderson, who won the 2013 Grammy for Best Surround Sound Album, for his remastering of Patricia Barber’s Modern Cool, thinks education is the key to stemming […]

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Pono or Oh No – An Interview With Neil Young

Sitting in an oversized bulbous chair outside the interview room waiting for my turn to speak with Neil Young was surreal. I didn’t grow up a big fan of Neil. I was introduced to his music through my favorite band Pearl Jam. PJ frequently plays Rockin’ In The Free World as an encore at its […]

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METRONOME TECHNOLOGIE: Kalista transport

They tell us:  Top end of the METRONOME TECHNOLOGIE products, the KALISTA Ultimate CD Transport with its separate ELEKTRA power supply is today the high class component which permits to obtain an unmatched level in terms of harmonic realism, dynamic and 3D sound spatialization. Main Highlights and Design Features The Philips CDM 12 Pro 2 […]

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“When less is less”

Paul McGowan …… Thanks for all the kind words about my recent post about music and how smart I must be to have written such a piece.  Sorry to disappoint but that article was actually written by our resident musicologist Larry  Schenbeck, who IS really smart.  Thanks Larry, the mailing service grabbed his article instead […]

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STUDIO: How To Become A Recording Engineer – Tips & Techniques

“Do you want to engineer top acts in top studios? Are you prepared to devote your entire life to music recording? In this new series, David Mellor explains how you can become a professional music recording engineer. This is the first article in a four-part series. Read Part 2, Part 3 and Part 4. Project studio equipment is becoming ever more […]

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