EZRA FURMAN:
When Ezra Furman first heard Transformer, Lou Reed’s louche, bristling second album, it was as though she’d found her way out of a locked room. “Who I thought Lou Reed was [when I was] in high school became, like, ‘Oh, I’ll follow that. That’s a way to go.’” The seminal 1972 record – which celebrates its 50th anniversary today – was to become a touchstone for Furman’s own subversive work.
You can hear it in her sound. The raw crackle. The often distorted guitars. The slightly haughty vocals. Reed’s fingerprints are all over Furman’s music. And, in her own words, Transformer “had a lot to do with being publicly androgynous and queer”. Furman, who came out as a trans woman last year and is bisexual, has in the past called .....
