Conductor John Andrews has launched a new opera company to champion unknown and neglected works. It follows the success – including an Editor’s Choice – of his recent recording of Malcolm Arnold’s 1952 comedy The Dancing Master, about which Gramophone critic Richard Bratby wrote: ‘In short, it’s hard to imagine it done better. Arnold’s many admirers should snap it up, as should anyone interested in 20th-century British opera. With luck, this recording will make a staging more likely.’
And indeed, it’s ....
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