Gramophone write:
Patricia Kopatchinskaja performs these three concertos by composers born in Hungary with her trademark panache and the recorded balance gives her all due prominence. The importance of the orchestral contribution can’t be denied, however, and there’s an impressive sense of common purpose and collaborative zeal throughout.
Bartók’s Second Violin Concerto has long since been accorded classic status and in – my guess – making a determined effort to ‘think it new’, Kopatchinskaja and Eötvös sometimes risk .....
Continues HERE
