Acclaimed actor Simon Russell Beale is fascinated by the concerto and how the role of the soloist has evolved from baroque times to now. In this Sunday Feature (exploring the theme of this year's Free Thinking Festival - The One and the Many), Simon explores the complex dynamics between the soloist and orchestra, drawing parallels between the world of the concerto and that of the stage. He asks whether the concerto really is a competition between the soloist and the orchestra or a deeper musical communion. He also asks why the concerto has endured beyond the symphony and ponders whether the spectacle of the virtuosic solo voice pitted against the many is the secret success behind the concerto.
Continues HERE
