This 2-CD deluxe edition will not only feature all of Nilsson’s memorable songs as performed by the perfectly-cast likes of Robin Williams, Shelley Duvall, and Paul Dooley, but will also debut Thomas Pierson’s instrumental score on CD, and an entire disc of previously unreleased demos performed by Nilsson!
The 1980 film Popeye, a rare co-production between Paramount Pictures and Walt Disney Productions (the partnership later yielded the fantasy Dragonslayer), wore its countercultural credentials on its sleeve.
Robert Altman (MASH, Nashville) would hardly have been the obvious choice to bring E.C. Segar’s classic comic strip to life, yet that’s what he did – aided by maverick producer Robert Evans, cartoonist and acclaimed playwright-screenwriter Jules Feiffer, and rock-and-roll iconoclast Nilsson. By the time production began, Segar’s strip was already well-represented on screen by both Max Fleischer’s beloved cinematic cartoons and subsequent television series, but Altman’s adaptation would be the first to present Popeye (Williams), Olive Oyl (Duvall), Wimpy (Dooley), Poopdeck Pappy (Ray Walston), Bluto (Paul L. Smith), and co. in live-action.
Popeye’s home of Sweethaven was built in the country of Malta; the larger-than-life sets still stand today and are in use as a popular tourist attraction called Popeye Village. Cast, crew, and creative team (including Nilsson and arranger-conductor Van Dyke Parks) bonded on Malta for the unusual location shoot, resulting in a colorful, offbeat film like no other. Among the Sweethaven denizens were musicians Klaus Voormann, Ray Cooper, and Doug Dillard, joining Nilsson and Parks as The Falcons, the house band. Upon its December 6, 1980, Popeye was greeted by mixed reviews, with many critics not quite knowing what to make of Altman’s excursion into family filmmaking. Though the film performed respectably at the box office, it was considered a disappointment by not attaining blockbuster status.
Nilsson’s score, however, was one of the more acclaimed aspects of Popeye. The New York Times wrote a couple of months after the movie’s opening that it was “the rare film score that works better as a record than as an actual soundtrack…[evoking] a gentle, slightly wistful, childhood world.” Indeed, the composer-lyricist of The Point was able to channel that spirit for Popeye. The newspaper went so far as to compare his tunes (deftly arranged with nostalgic flair by Parks) such as “Sweethaven,” “I Yam What I Am,” “He Needs Me,” and “Sailin'” to the likes of Cohan, Gershwin, and McCartney.
Until now, Popeye (released on LP by Boardwalk Records) has never been released on CD. Varese’s deluxe edition betters the original album by adding music not on that release, including Thomas Pierson’s instrumental underscore and Paul Dooley’s song “Everything is Food.” The first disc of this set is a full 20 tracks compared to just 12 on the LP. The second disc here is another cause for major excitement, boasting a full 18 never-before-released demos performed by Harry Nilsson himself, including duets with Shelley Duvall and Paul L. Smith. (Seconddisc)