PS AUDIO: A fool’s errand

Paul McGowan Perhaps the best audio experience you could have would be to drag your stereo system to the original concert hall where a particular recording was made, setup on the same stage and play the recording back.  You would be sitting in your favorite seat in the concert hall and the sound would be […]

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PS AUDIO: Anything that gets me closer to the goal of having live musicians playing in my room is good.

  Paul McGowan writes: I’ve been thinking recently about our discussions on tone controls a few weeks ago. Initially I objected when a commenter suggested we could use tone controls selectively to improve recordings.  That seemed to violate the purity of the recording.  After all, isn’t the goal to get as close to what the […]

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TWEAKS: The cheapest effective one

Paul McGowan writes: David Pogue, one of my readers, suggested to me “the cheapest tweak” that he’s ever tried and I thought it might be interesting, this fine Sunday morning, to give this tweak a try if you’re looking for something to do. The tweak concerns extreme toe in of the loudspeakers – toe in […]

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PS AUDIO: In a DAC or a preamplifier, power supplies are also critical but in a very different way

Paul McGowan writes: I think we all understand the importance of power supplies in audio equipment – as everything we listen to in our systems starts out as DC voltage in the first place. Power amps are particularly sensitive to power quality for reasons I’ve detailed in past posts – and of all power amp […]

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PS AUDIO: Perhaps the most expensive option a designer has to control the gain is called a stepped attenuator.

  Paul McGowan writes: Perhaps the most expensive option a designer has to control the gain is called a stepped attenuator.  These devices can range from the reasonably simple to the ultra exotic and expensive. Cello’s 59 step platinum attenuator as well as Ayre’s 66 stepped device are exotic, expensive hand built beauties that exemplify […]

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PS AUDIO: The Amygdala

Paul McGowan writes: Music is an emotional experience. Our emotions are centered in an ancient part of our brains called the Amygdala.  My friend Seth refers to this as the “Lizard Brain”. Some music and some high-end systems give us an emotional experience so strong we remember it to this day; others never get past […]

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PS AUDIO: “Of the two types of power supplies found on class D amps, linear or switch mode, the latter is taking over and the former is moving down in popularity”

Paul McGowan writes: Of the two types of power supplies found on class D amps, linear or switch mode, the latter is taking over and the former is moving down in popularity.  It’s a natural progression as combining a giant power transformer and capacitor bank supply with a small and lightweight power amplifier doesn’t make […]

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Getting intimately familiar

Paul McGowan writes: I mentioned that the first step in setting any system up is to get to know your music well.  This can serve you in many ways: including bringing your collection of music to an audio show to hear what it sounds like.  This only really works if you’re intimately familiar with a […]

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PS AUDIO “I believe the basic problem is the loudspeaker itself and less so the electronic chain and microphones used to pickup the music.”

Paul McGowan writes: You are walking down the street perfectly happy after a good lunch or so, when suddenly from nowhere you hear music. It could be a sound two blocks away, poor acoustics, noisy background etc. Maybe it’s a street musician, but the thing is that your brain can detect this as live music […]

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SMPS: Perhaps the single biggest reason to use a switch mode power supply (SMPS) on a power amplifier is that

Paul McGowan writes: Perhaps the single biggest reason to use a switch mode power supply (SMPS) on a power amplifier is that the output of a properly designed one is more like perfect DC than that of a conventional supply; and not just by a little bit. Conventional supplies switch back and fourth between plus […]

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We want to use the -3dB down point specified by the speaker manufacturer only as a starting point to turn the low pass filter up to – not as a rock hard rule

In a recent post we covered with good detail the steps to achieving low bass with your subwoofers.  By keeping the frequency lower than you need to match your main speakers you can focus your efforts entirely on getting the very low bass right.  Now it’s time to match up to the mains. Matching the […]

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PS AUDIO: The thing about skeptics

Paul McGowan writes: I wrote that I had an out-of-the-box idea to share with you.  This is just for fun and stimulation – and no, it is not a precursor to a new product.  The idea revolves around the notion that it is wrong-headed to use digital room correction of the loudspeakers themselves (above 150Hz […]

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PS AUDIO: I think great industries are founded by passionate amateurs

Paul McGowan: Amateurs, as defined by Wikipedia: An amateur is generally considered a person attached to a particular pursuit, study, or science in a non-professional or unpaid manner, often having little or no formal training in their pursuits, and many are autodidacts (self-taught). Does that describe our industry? And for that matter, are we even […]

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THE SONIC SWEET-SPOT: “Have you ever been leery of turning up the volume control too high because you don’t want to push the system too hard?”

Paul McGowan writes: Have you ever been leery of turning up the volume control too high because you don’t want to push the system too hard?  I don’t mean in terms of volume level but stressing out the preamp by getting too close to its limits?  If that’s happened to you, you’re not alone. It’s […]

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Dave Paananen, our director of engineering, asked “Isn’t it obvious the need for an album or CD is rapidly becoming unnecessary?

At first I dismissed the thought, so ingrained is the notion of an artist creating a package around a body of work, but then I realized he is right.  The medium itself has always dictated the package musicians use to wrap around their work. There’s the famous story of Sony founder Akio Morita’s dictate to […]

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PS AUDIO: Unless a reviewer who uses that term adds a comment explaining something I am missing, I am going to mark the question as that of a simple tried and true term that probably should be revised someday

  Paul McGowan writes: “One of my readers, Alan, recently asked a really good question.  “Reviewers of high resolution sound reproduction equipment frequently speak of one element of the reproduction, depth. But they speak of layers of depth; I’ve never really understood that concept, because in real life I always hear a continuum of depth.” […]

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Palpability

Paul McGowan writes: I thought today I’d touch on the term Palpability for a couple of reasons: I use it to describe certain aspects of what we hear in our stereo systems and more pertinent – I have just been exposed to a greater degree of it than ever before. I was going to title […]

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