AUDIO INSIDER

Where’s the music supposed to be?

Visiting audio clubs, dealers, trade shows and people’s homes is illuminating to me. I am always learning. Recently I sat in front of a dealer’s high-end demo system and was amazed at how wrong the image was. The entire presentation of the music was between my seating position and the loudspeakers: a logical place for […]

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IMPEDANCE: Mix and match impedance

Popular audiophile lore has it that a mismatch in impedance between the preamp and amplifier will result in bass loss. Yup. If the amp’s input impedance is too low weaker bass will be the result. That’s true in the same way it’s important to pump the car’s accelerator before starting it. In the days of […]

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AUDIO INSIDER

SILENCE: What is it about the sound of audiophile silence?

Yesterday’s post sparked a number of comments and observations and one that came to the forefront was the ability of the subwoofer to help with a sense of space – not just hitting lower bass notes.  We all recognize a sub’s ability to produce the lowest notes of a piano or organ, T-Rex stomping and […]

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HEADROOM: The ins and outs of headroom

Recently we covered one of the advantages of the higher power supply voltages afforded by tube circuits: linearity.  Today we’ll jump into the second advantage of increased voltage, headroom in power amplifiers. Headroom is a funny thing.  If you take a SET amplifier of perhaps 18 watts and try and get 20 watts out of […]

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AUDIO INSIDER

ETHAN WINER: This is a video version of my workshop “Lies, Damn Lies, and Audio Gear Specs” from the October 2013 AES show in NYC

ETHAN WINER: This is a video version of my workshop “Lies, Damn Lies, and Audio Gear Specs” from the October 2013 AES show in New York City. Panelists are Ethan Winer, Mike Rivers, Scott Dorsey, and David Moran. This video explains how the fidelity of audio equipment is assessed and measured, and is an offshoot […]

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AUDIO INSIDER

PREAMPS: It’s easy to ignore the cumulative degradation of equipment where each piece in the chain adds a bit of flavor not natural to the source – but preamps may be the worst of the lot.

One of our customers was upset because he loved the sound of our phono preamplifier directly into his power amplifier but then not so much when he inserted his preamp between the phono stage and his amp. His question, naturally, was this: if my preamp sounds great by itself and the phono stage sounds great […]

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AUDIO INSIDER

NELSON PASS: He designed an interesting product called the Shadow a while ago.

It was an active bass correction device that made sense – because instead of correcting the output of the speakers for bass problems in the room – it fixed the room itself and left the main speakers alone.  Not sure whatever happend to it but it mirrors an idea I’ve had for years: fixing the […]

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The power of monitors / Every single decision in a recording is by ear

Not until we got deeply immersed in the building of a state-of-the-art recording label, Octave Records did it occur to us just how important the recording/mixing monitors are to the final outcome. Consider that every single decision made in any recording is 100% determined by ear. No measurement arguments live here. If the guitar sounds too bright […]

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AUDIO INSIDER

“No. Our customers ARE audiophiles.”

Whenever I am asked what I do for a living there’s a common pattern of questioning that follows. “My family owns a small company that makes HiFi equipment.” “Oh, like Sony?” “No. Our customers are audiophiles.” What follows is the inevitable eyebrow raise as the second half of the word audio-phile leaves my mouth. “An audiophile is […]

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AUDIO INSIDER

THE AUDIO INSIDER: Unlocking dynamics?

Dynamic range describes the difference between soft and loud. What’s not defined is how soft or how loud—only the magnitude between the two—which is a problem if the softest sounds fall below the threshold of audibility. When that happens the range of dynamics is truncated, a fact not apparent when quoting dynamic range figures. I’ll […]

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AUDIO INSIDER

NAKAMICHI: 680ZX dual-speed cassette deck – test review

Howard Popeck … Launched in 1980, the maker’s claims were, on the face of it, outrageous; “True high-fidelity performance at half-speed”. Although cassette recording and play-back technology were, through outstanding engineering, approaching the theoretical limits of what could be achieved, and enthusiasm for the medium was probably at its peak, true audiophiles rarely accepted that […]

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AUDIO INSIDER

DAMPING FACTOR: Explanation

HI-FI WORLD tell us … This typical example gets the issue of Damping Factor into perspective. Amplifiers commonly have an output impedance of 0.1 Ohms. Loudspeaker cables will add 0.3 Ohms or so, and the low pas bass inductor of a loudspeaker – in this case a World Audio Design KLS9 measures 0.66 Ohms even with a […]

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