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FYI ONLY … NOT FOR SALE.
https://www.guitarworld.com/artists/interview-recording-and-mixing-advice-grammy-winning-engineer-jason-goldstein
Rob Bisel writes: It is truly remarkable to step back and examine the full societal impact that some recording engineers and mixers have had on American culture. During his 18-year tenure as Chief Engineer for Motown Records, Russ Terrana captured and crafted the sounds for many of the Detroit label’s most iconic hits. He, […]
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Paul McGowan: When it comes to the recording industry there are no standards. There are, however, personal standards for each company. Take Octave Records for example. Working with DSD is always going to be a challenge with compromises, but so too is analog. In fact, the only analog process I know of without compromise is […]
Many of the sounds we hear every day are entirely fabricated by engineers to persuade us to buy things. Hundreds of items have their acoustics deliberately tweaked to make us happy – according to Trevor Cox, professor of acoustic engineering at the University of Salford MORE
Wikipedia describes the Decca Tree as a 3 microphone spaced array most commonly used for orchestral recording. The technique was developed in the early 1950s and first commercially used in 1954 by Arthur Haddy, Roy Wallace, and later refined by engineer Kenneth Ernest Wilkinson and his team at Decca Records, to provide a strong stereo […]
It’s likely no coincidence that my favorite headphones are from Audeze. They are based on the same planar magnetic technology behind PS Audio’s speakers. I’ve tried a number of their headphones but currently, in the mix room at Octave Records, I am enjoying a pair of their LCDMX4 which they tout as being best for mixing and […]