APOGEE: Their Diva speaker

The Diva was Apogee’s most expensive ribbon speaker when it was released in 1988. Nearly as large as the original Full Range it was a 3-way system, slightly over 6 feet tall with a very large trapezoidal bass panel, a 3 element aluminium midrange ribbon and a tweeter made from a single strip of aluminium […]

Read More

Dynaudio Special Forty “These 40th anniversary Dynaudios are classic in looks but cutting edge in ability.” Tested at £2,500

What HiFi? write …. We have a confession. Our first impression of Dynaudio’s 40th anniversary speaker is more one of mild disappointment than anything else. It’s not that there is a lot wrong with the Special Forty – it’s just the design seem a little too familiar. Dynaudio has made any number of two-way standmounters, of […]

Read More

PS Audio: Building the high-end brand

  Paul McGowan writes: The high-end doesn’t really have a brand or a neat way to bundle up its concept and present the package to someone interested. That’s a problem.  For the process of engaging a new community of high-end customers, high-end as a concept must be packaged and easily grasped by a potential customer.  […]

Read More

Bristol Show: Says one visitor – “It will come as no surprise then, that for me, PMC stole the entire show — I kept returning to that room”

Mark EJ (pfm member) writes: PMC: Since first hearing an early pair of LB1s with a 52/135s fed by a Roksan CD player (shutting down the 135s every 15 mins) at a Heathrow show in the early 90s, I’ve been conscious that PMC succeed (to my ears) in quite a lot of what they attempt, […]

Read More

KUZMA: 4Point tonearm – test review

No one has ever accused Franc Kuzma of designing glamorous audio jewelry. His turntables and tonearms are industrial-strength examples of engineering know-how and machining excellence. But to those who appreciate such things, his products are truly beautiful, even if they’re not adorned with chrome, wood, and sleekly polished surfaces. And if looking at the 4Point […]

Read More

Howard Popeck asks: How important is the absence of UK servicing on top audiophile gear?

  Let me set the scene. One of the reasons I gave up representing STAX equipment, at the time I was the global #1 for the brand was not, as is sometimes reported, the unreliability of the Omega-2 earspeakers and certain batches of the 717, but that on a number of occasions, the defective items […]

Read More

PS Audio: “What is this defense mechanism? It’s not in your ears but rather your brain”

I learned a new word from one of my readers this morning: conflate.  It means confusing two messages together and apparently that’s what I did yesterday in my post; so I’ll start by clearing the conflation up. I first defined what I believe Listener Fatigue is and then went on to describe how music communicates […]

Read More

PS Audio: Why flat?

Paul McGowan writes: When we look at the specs for a piece of audio equipment we want to make sure it doesn’t emphasize or reduce one frequency area over another.  We routinely see flatness specs that are within 1/10th of a dB from below where we can hear to way above where we hear.  These […]

Read More

PS Audio: Solid state vs. fields

Paul McGowan writes: This post will most likely stand the hair up on the back of EE necks because it’ll be riddled with inaccuracies I will use to make a point about why devices sound differently in audio circuits. What I have to share hopefully will be interesting to both the uninformed as well as […]

Read More

PS Audio: How may I serve you?

Paul McGowan writes:  If for some reason your power amplifier puts DC into your loudspeaker you’ll wind up letting the magic blue smoke out and killing your loudspeaker.  ”Magic blue” smoke is engineering humor: it’s what we jokingly say when a component blows up and smoke spews from its innards – “oops, we let the […]

Read More

Howard Popeck wonders if the makers that focus on building products they want to own doomed to oblivion?

I’ve eaten at many restaurants and for this post I’ll focus in Indian ones because I know these best. In some I’m confronted by what seems to be hundreds of options and in others somewhat fewer. I’m working on impressions here; I have no inclination to count the options! In my experience the more choices […]

Read More