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At Music Inn – Guest Artist: Jimmy Giuffre (Clear 140g Vinyl LP)

For seven summers, Philip and Stephanie Barber, the proprietors of the Music Inn, a rambling, relaxed summer resort outside of Lenox, have been offering their guests panel discussions of jazz and folk music. (…) Complementing these discussions, the Barbers have staged jazz and folk music concerts in their Music Barn (…) During the summer of […]

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Why do digital cables sound different? “

Been talking to a few e-mail buddies and have a question that isn’t being satisfactorily answered this far. So…I’m asking the experts on the forum to pitch in. This has probably been asked before but I can’t find any references for it. Can someone explain why one DIGITAL cable (coaxial, BNC, etc.) can sound different […]

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RAVEL: Antar; Shéhérazade CD review – a perfumed foray into Arabic legend and an intriguing curiosity

  Andrew Clements writes: In 1910, Ravel was commissioned by Paris’s Théâtre de l’Odéon to provide the incidental music for a new play by the Lebanese writer Chekri Ganem. It was based on The Romance of Antar, a 12th-century Arabic epic about the exploits of the pre-Islamic poet and knight Antarah ibn Shaddad, and the […]

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YAMAHA: R2000 ‘…. goes beyond ordinary stereo to re-create the full depth, presence and excitement of actually being at a live performance’

stereonomono.blogspot.co.uk write ….. The Spatial Expander. Normal stereo is limited to the space between two speakers. Yamaha Spatial Expander extends the sound field out beyond the speakers. This wider sound stage recreates the ambience and spaciousness of a live performance. There is more space between musicians, more depth and richness to the overal sound . […]

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MICROPHONY: In speaker cables … the definitive proof, with a sting in the tail

CABLE ELEVATORS Permit me, if I may, to offer a different (but not necessarily superior) perspective on this. A few years back, I was invited by a designer of high-end speakers, to visit his development suite in Salzburg, Austria. All expenses paid. Unlimited coffee and cake and so on. An opinion on a new idea […]

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BECK: Roskilde Festival (CD)

Introduced in the mid-nineties to production duo du jour The Dust Brothers, producers of the Beastie Boys 1989 classic Paul s Boutique, Beck brought the pair in to work on the follow up to his 1995 major label debut Mellow Gold. Blending together elements of country, blues, rap and jazz, augmented by months of dubbing, […]

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American Utopia (CD) by David Byrne

David Byrne’s new solo record, American Utopia, will be released on Todomundo/Nonesuch Records and accompanied by a world tour that will bring a choreographed concert that Byrne has called “the most ambitious show I’ve done since the shows that were filmed for Stop Making Sense.” The album includes the track ‘Everybody’s Coming To My House’, […]

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CABLES: If you’re thinking of an amp purchase and plan to use balanced cables, simply ask what the CMRR is – it’s a valuable spec to know

Paul McGowan writes: We started our series on Class D amps and how they work.  We went through the all important input stage but before we get moving, however, quite a few of you wrote me and asked for a better idea of what common mode rejection was and what an amp designer might do […]

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CLEAR LIGHT: Clear Light (CD)

  Clear Light’s eponymous 1967 album is one of the jewels of Elektra Records’ 1960s catalogue. A short-lived, much-loved Los Angeles aggregate, the band is best known for including sometime Doors bassist Doug Lubahn and future CSNY and Manassas drummer Dallas Taylor, but Clear Light’s blend of quirky songwriting and psychedelic arrangement has helped make […]

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R.E.M: The Spirit Of Radio / Classic Broadcast Recording (3CD)

This 3 disc collection celebrates the music of REM across this lengthy time-span, and include two superb CDs containing radio broadcasts of concerts from 1984 and 1989, along with a third disc containing media interviews with the guys from various points across their career. 3CD SET FEATURING CLASSIC R.E.M. BROADCAST RECORDINGS AND INTERVIEW COLLECTION. This […]

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