LINTON WEEKS: Whatever Happened To The Audiophile?

You may remember the type: Laid-back in an easy chair, soaking in Rachmaninoff, Reinhardt or the Rolling Stones, enveloped by the very best, primo, top-of-the-line stereo equipment an aficionado could afford.

In robot-like, 1980s cadence, the audiophile could rattle off favorite components, which might include an all-tube Premier One power amp by conrad-johnson, a Sota Sapphire turntable, an Ortofon MC-2000 cartridge and a pair of Magneplanar speakers.

Geeky? Mos def.

But the audiophile was a symbol of the Golden Age of Audiophonics, a time when certain people worshiped at the altar of expensive high-fidelity, two-channel stereo equipment. They were knights errant on an eternal quest for audio perfection — the exact replication of an original performance.

A VU Pioneer TX-9500 II. There are still people willing to drop a large chunk of their income on the best audio equipment available, says music professor Mark Katz.

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