Roger Skoff: In the last installment (Part 3) of this continuing series on audio reviews and reviewers I named three requirements for good reviewing ― the ability to judge products’ performance; the ability to apply some (consistent) standard for rating them; and the ability to communicate one’s judgments and ratings to other people in a […]
Month: August 2018
Found 14 results
Paul Wilson’s recent column defending the health of the audio industry reminded me of what people have often said about one of my other almost-lifelong interests: jazz. I’ve been reading audio magazines and jazz magazines since about 1976, and people were questioning the commercial viability of jazz way back then. I remember as a teen […]
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This post is not about the burger chain, though I must give them a hat tip for their excellent (off menu) grilled cheese with all the trimmings – a delight for vegetarians like me. A number of readers have asked why tube equipment has high output impedance. High enough, in fact, that problems with low […]
In yesterday’s post I recounted a story of Telarc engineers in the recording studio control room comparing the output of an analog and digital tape recorder to the live feed from their mixer. To their ears the digital recorder was more faithful to the original signal. Which makes perfect sense since this is exactly what we […]
The loudness wars, or the war against dynamic range, is still alive and well and that is unfortunate. But, there’s hope and Paul helps us understand the beginnings of the loudness campaigns and why they are so prevalent today. Watch Now
The weakest link in any system or chain is the point at which the greatest chance for failure occurs. Paul explains which components are the weakest links and has a few suggestions about what to do with them. Watch Now
We’re all on some type of budget and this question revolves around how best to spend those dollars when building a high-performance audio system. From the under $1,000 killer system to the $100,000 killer setup, choosing how and when to spend money is an art. Watch Now
This customer’s dealer keeps encouraging him to spend more money to eliminate listener fatigue and he asks Paul if perhaps it’s all a conspiracy to separate him from his money. Paul lets us in on the ways to eliminate listener fatigue. Watch Now
Why do the ratings on the rear panel of amplifiers rarely match what their claimed output power ratings are? Is it possible to produce more watts at the speaker than the wall power can provide? Watch Now ▸
Just reading on the Luxman website ….. “It has come to our knowledge that unknown LUXMAN products are being imitated and widely sold in certain areas of the world by unauthorised vendors, bearing the same “LUXMAN’ trademark and all other visual attributes of the authentic LUXMAN product, deceiving the general consumer public into believing thatt […]
Clay Swartz writes: Many audiophiles, myself included, can’t afford speakers costing $20,000 or more, amplifiers costing $10,000 or more, or CD players and preamplifiers costing $5000 and more, not to mention expensive cables, power cords, and room treatments. In this article, I will discuss how you can get audiophile sound for much less—under $10,000 for […]
From the archives Robert Ryan writes: The glowing valve amps, big boxy speakers, groovy turntables and curvy radiograms of the past produced rich, warm sounds that analogue enthusiasts still crave today – and specialist makers are increasingly feeding their need http://www.telegraph.co.uk/luxury/technology/16348/steam-audio-the-resurgence-of-classic-hi-fi.html
Originally published 2016 Paul McGowan ….. Now that we have a rough understanding of the differences between classic digital audio (PCM) and the format Sony popularized in their SACD version of digital audio (DSD), it probably makes sense to explain why any of this even matters. We recognize that at the end of the day, […]