PIERRE LURNE: Interview

Geoff Husband (TNT-Audio ezine) writes: One of the joys of doing my series of turntable tests has been discovering the enthusiasm that seems universal with anyone connected with vinyl. One person stands out and that is Pierre Lurné of Audiomeca. This man has been deeply involved in vinyl reproduction for well over 30 years now […]

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Tim de Paravicini – The Stereophile star interview

Originally published October 2009 Stereophile: You are president of Esoteric Audio Research, a British manufacturer of tube amplifiers, and a world-renowned designer of tube equipment and output transformers. I thought we’d begin with a little background. Where were you born? What kind of education did you get to prepare you for a career in audio? […]

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James Boyk: All-Tube Analog

Originally published July 2010 Stereophile write: It is a widely held belief that musicians do not assess hi-fi equipment in the same way as “audiophiles.” I remember the British conductor Norman Del Mar—an underrated conductor if ever there was one—still being perfectly satisfied in 1981 with his 78 player, never having felt the need to […]

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HELIUS DESIGNS: Magic Pebbles, an explanation of tonearm bias and …

In my first article, I wrote about those wizened beings who occasionally materialise from the ether, intent on stretching the boundaries of plausibility with their over-active imaginations. These people would have us believe that a generous sprinkling of their particular flavour of fairy dust on your hi-fi will transport it to the realms of godliness. […]

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EFFECTIVE MASS: Here is a cogent, scientifically based and rational explanation

Howard Popeck asked Geoffrey Owen, the driving force behind Helius Designs if he could and indeed would find the time to explain the reality behind effective mass and – in so doing – confound the misinformation, disinformation and scientific ignorance that clouds so many discussions of this topic. As an aside and somewhat mischievously, Howard […]

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HELIUS DESIGNS: in conversation with Howard Popeck – part one

Geoffrey ….. why is there such diversity between audiophile values and the audio engineering establishment’s values? I’m not sure there is – indeed, I would argue that, more often than not, audio engineers are just audiophiles who have taken their interest to the next level and gone pro. Perhaps I should start by suggesting that […]

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HELIUS DESIGNS: in conversation with Howard Popeck – part two

Geoffrey ….. When it comes to listening to what you’ve designed, do you worry that you can find yourself liking something which is actually wrong? How do you keep yourself on track? In the context of tonearms it’s difficult to imagine what I could do to make it sound ‘wrong’. This part of the system […]

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RADFORD REVIVAL: Howard Popeck speaks at length to people with interesting things to say: Radford Revival’s Will Moores

Hello Will. Anyone with an iota of knowledge of Radford’s place in audio history could not fail the understand your motivation re Radford Revival. However I guess that the behind the scenes discussions, assurances re being the custodian of the heritage and related matters required considerable patience. Would you care to tell us the ‘back-story’? […]

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HELIUS DESIGNS: In conversation with Howard Popeck – part three

Geoffrey – what is your response to the statement ‘How many channels do you think it takes to make a music listener happy; One. Mono’s fine. I’ve never heard anybody bitch about Louis Armstrong, saying, “I would enjoy it if it were only stereo” Now this question is interesting from several perspectives and I’m going […]

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Arnie Nudell – From Here to Infinity

Imagine a speaker firm with an introductory product that pushes the outside of the performance envelope while tearing the pricing envelope to shreds. A reviewer in an audio journal that tilts toward the high end deems this speaker “appallingly expensive,” notes he would have bought the test sample if he’d had the money, and confesses […]

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Yves Beauvais: The Stereophile interview by Robert Baird

“While the selection and fine tuning of exhilarating-sounding vintage audio equipment is an exciting, often life-long search, let’s not forget it’s ultimately the music that matters—mankind’s mysterious mastery of making air move in esthetically & emotionally thrilling ways. Most importantly, remember to ask yourself the age-old question: Can I dance to it?”This has always been […]

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SONUS FABER: Interview with Sonus Faber Livio Cucuzza

Mono & Stereo exclusive interview with Sonus Faber main designer Livio Cucuzza. An open view into his and company approach to design not only regarding Sonus Faber speakers, but also Audio Research and Waida. We looked into what is 21st century is going to bring for company and customers. How did all started for you at […]

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SUMO: Audiophile interview with Rich May of Sumo; an audio dynasty

John Atkinson writes ………… Way back in the mists of time, around 1980 to be exact, the Marantz company in Europe introduces a range of ostensibly cost-no-object solid-state electronics under the “Esotec” banner. Manufactured in Japan, but apparently designed in the USA, these ruggedly constructed components are noteworthy in that the power amplifiers are capable […]

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TIM de PARAVICINI: King of Tubes is interviewed!

                    Stereophile write …… “How many hi-fi professionals can say that they’ve designed at least one of every part of a complete recording system, from microphones to tape recorders to vinyl-disc-cutting electronics? Probably only Tim de Paravicini (footnote 1). Best known to audiophiles for his extraordinarily […]

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HELIUS DESIGNS: VTA – “As a starting point, when people refer to Vertical Tracking Angle, VTA -they usually mean Stylus Rake Angle, SRA – in other words, the perpendicularity of the stylus with respect to the groove”

Geoffrey Owen: Somewhat like Terry Wogan and his listener, I feel my first article secured one noble reader. My hope now is to double that number in this follow-up. In my last piece, I suggested the audio industry was populated by three distinct stereotypes, these being gods, gurus and mystics; the first two I’ve covered […]

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CHORD COMPANY This is what Chord’s digital designer Rob Watts had to say about power cables:

Rob Watts writes ….. In the ’80s, there was a buzz going around that mains cables made a big difference to the sound, so I tried experimenting. Yes you could hear a difference, even under blind conditions. And this was with one of my pre-amps that had 3 stages of regulation – 210dB of rejection […]

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MISSION: Henry Azima interviewed

John Atkinson writes ….. In its first three years, UK hi-fi manufacturer Mission Electronics employed a number of engineers to reinforce the creative talents of founder and hi-fi enthusiast Farad Azima. The lineup included John Bicht, now with Versa Dynamics, and Stan Curtis, now heading up Cambridge Audio. But when Farad’s brother Henry—”Henry” is actually […]

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VANDERSTEEN: Richard Vandersteen: Keep on Truckin’ – by Ken Kessler

First published in 1988 Richard Vandersteen doesn’t look like a typical loudspeaker designer. True, he wears glasses, but his presence suggests a longshoreman or somebody who’d be played by Gene Hackman. And sure enough, he tells you in a quasi-Dukes of Hazzard drawl that he’s been a construction worker, plumber, truckdriver, and electrician. Electronics had […]

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