BEYOND CLASSICAL: Defining music-making in the 21st century

Kate Molleson reports on how the ‘classical’ music label is proving outdated for many of today’s creative artists and speaks to several musicians for whom the whole notion of genre is entirely irrelevant. Generic labels have always been more widely used by listeners, retailers and record companies than by musicians themselves (no musician wants to […]

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Building a bright future for classical music

Great public architecture generally expresses eloquently the society which builds it. For much of modern history, it was about the glorification of God. In more recent centuries, politics and power became the stronger focus: think of the mercantile grandeur of the Low Countries, the triumphant classical confidence of Paris, or, in Victorian Britain, of the […]

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ELGAR: Rediscovered

Andrew Achenbach writes: Here’s another fascinating haul of historic Elgar recordings from Somm expertly compiled and restored by Lani Spahr. The 77-minute programme is launched in delectable fashion with the first-ever appearance of the composer conducting his own Op 58 Elegy with the strings of Adrian Boult’s magnificent BBC Symphony Orchestra. The April 1933 Abbey […]

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DANIEL BARENBOIM and CHRISTOPH WALTZ: In conversation

Barenboim and Waltz discuss the importance of the text in the respective creative disciplines Today’s video is a fascinating conversation between Daniel Barenboim and the actor Christoph Waltz in which they discuss the differences between the texts that they use in performance – for Barenboim the score, for Waltz the script. They also explore how […]

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