JAZZ ON FILM: Film Noir – review (Moochin About) – by Dave Gelly

"Seven soundtracks from the 50s, when jazz was the musical element that defined film noir. From Ziggy Elman's lubricious trumpet at the start of A Streetcar Named Desire (1951) to Jim Hall's sparse guitar notes at the close of Odds Against Tomorrow (1959), it's an ..."



Hi. I'm Tony Andrews and I am Contributing Editor / Jazz here. I hope you found the above interesting. If you want anything jazz-related published here (free of charge) then please email me at tonya.balgores@talktalk.net and/or you can leave a message on +44(0) 7734 816 345 and I'll see if it fits.  Thank you.