CONCEPTUAL JAZZ: A revealing insight

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Frank Caruso writes: I wrote an article some months ago about chromaticism in harmony. In that article I did a reharmonization of “Mary Had A Little Lamb.” The focus of that reharmonization was to demonstrate that a I-V7-I progression may be converted into a progression using all twelve tonalities of the chromatic scale while leaving the melody unchanged.

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Hi. I'm Tony Andrews and I am Contributing Editor / Jazz here. I hope you found the above interesting. If you want anything jazz-related published here (free of charge) then please email me at tonya.balgores@talktalk.net and/or you can leave a message on +44(0) 7734 816 345 and I'll see if it fits.  Thank you.

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