ESSENTIAL READING: Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms

Please share this...
Share on FacebookTweet about this on TwitterShare on RedditDigg thisShare on LinkedInEmail this to someone

Today, a new category for us; highlighting media that seeks to investigate and then apply the latest relevant scientific knowledge to the pursuit of achieving improved sound reproduction in the home. Thank you Howard for drawing my attention to this idea.

Neil McCauley / Editor in Chief

"Floyd Toole, a leading expert in the field of sound reproduction, explains how to design the best possible listening experience for recording control rooms and home entertainment systems. This comprehensive work covers the whole sound reproduction chain from multi-channel audio configurations and the loudspeaker/room system to acoustics and psychoacoustics and the evaluation process. Part 1 shows the reader how to create the best listening experience, offering practical approaches to the sound reproduction chain. Parts 2 and 3 are an in-depth consideration of acoustics and psychoacoustics."

About the Author

Floyd E. Toole studied electrical engineering at the University of New Brunswick and at the Imperial College of Science and Technology, University of London where he received a Ph.D. In 1965 he joined the National Research Council of Canada where he reached the position of Senior Research Officer in the Acoustics and Signal Processing Group. In 1991 he joined Harman International Industries Inc. as Corporate Vice President – Acoustical Engineering. In this position he worked with all Harman International companies and directed the Harman Research and Development Group, a central resource for technology development and subjective measurements, retiring in 2007. He is currently a consultant to Harman.

Dr. Toole’s research has focused on the acoustics and psychoacoustics of sound reproduction in small rooms, directed to improving engineering measurements, objectives for loudspeaker design and evaluation, and techniques for reducing variability at the loudspeaker / room / listener interface. For papers on these subjects he has received two AES Publications Awards and, for service to the society, the Board of Governors Award. For his achievements he has been recognized with both the AES Silver Medal (1996) and Gold Medal (2013) Awards. He is a Fellow and Past President of the AES, a Fellow of the Acoustical Society of America and a Fellow of CEDIA (Custom Design and Installarion Association). He has been awarded Lifetime Achievement awards by CEDIA and ALMA (Association of Loudspeaker Manufacturing & Acoustics International). He has recently written a book: "Sound Reproduction: the acoustics and psychoacoustics of loudspeakers and rooms." (Focal Press, 2008).

Most Helpful Customer Reviews

  1. Great book with deep insight and lots of references to historical and recent findings in the fields of acoustics, recording techniques and critical considerations in loudspeaker building and their placement in different types of rooms. Beware: the book destroys some of the myths that were considered axioms for several decades. The must-have for accurate sound recording and reproduction enthusiasts and professionals.
  2. If you are interested in how loudspeakers and small rooms interact and what parameters are really important in characterizing loudspeaker performance, this is essential reading. It may not help you much in choosing a commercial loudspeaker (because the manufacturers almost never publish the really important information that would let you choose between them), but if you are thinking of designing and building your own or in understanding why some designs work much better than others, this will help a lot.

Available to purchase at Amazon

Please share this...
Share on FacebookTweet about this on TwitterShare on RedditDigg thisShare on LinkedInEmail this to someone