The rapacity of the record revival

Music labels are trying to cash in on a resurgence in the popularity of vinyl, putting often-inflated price-tags on albums, says Nick Hasted.

The ongoing upswing in sales of vinyl records, as CD sales collapse, has been heartening for all who still value their warm analogue sound and substantial, striking packaging. But it is being accompanied by the less pleasantly familiar sight of major labels latching on to something they can actually make money on, with the same misconceived, short-term greed that helped get them into their current mess.

Paul Weller's latest LP, Sonik Kicks, retailing in shops at an eye-watering £30-36, seems anecdotally to have been a line in the sand for many outraged consumers. But the last studio LPs by Paul McCartney and Bob Dylan were priced similarly. Neil Young's new collection of rough-hewn folk music, Americana, is a Marie Antoinette-esque £40, while limited-edition, Karl Lagerfeld-designed singles from Florence + the Machine are £50 e

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